Related Papers
Messiahs and martyrs : religion in selected novels of Frank Herbert's Dune chronicles
2013 •
Sanjana Singh
Dune - Brian Herbert
Edward Balbuena
El cuerpo revestido en Dune (1965-2003)
2021 •
Javier Morales Núñez
Esta investigación prioriza la concepción del ser humano como animal social envuelto o alicatado de material cultural para abordar la interpretación de un texto novelesco considerado un hito de su género, sus continuaciones literarias y sus traducciones audiovisuales generadas por la industria creativa cinematográfica o televisiva. El punto de partida es el castillo teórico de la “Fashion theory” levantado por la sociolingüista italiana Patrizia Calefato. Su alterdisciplinariedad permite situar el análisis en una posición crítica constructiva respecto de la posmodernidad. Este prisma especulativo es transversal y fluido y dialoga satisfactoriamente con otras visiones de la realidad, académicas u ordinarias, relacionadas tanto con la cultura popular de los últimos decenios como con tradiciones milenarias que subyacen sutilmente en la cotidianidad. También sirve para proyectar la mirada hacia el futuro, hacia los mundos galácticos imaginados por el genial Frank Herbert. Pasar por el tamiz calefático la obra del escritor norteamericano permite obtener lecturas singulares y sorprendentes que clarifican el avanzado grado de su propuesta intelectual. This research prioritizes the conception of the human being as a social animal surrounded or cloaked by cultural material to approach the interpretation of a fictional text considered a milestone in its genre, as well as its literary sequels and its audiovisual translations generated by the creative film or television industries. Its starting point is the theoretical creation Fashion theory, written by the Italian sociolinguist Patrizia Calefato. Its alterdisciplinarity allows us to place the analysis in a critical constructive position regarding postmodernity. This is a cross-cutting and fluid speculative perspective and it dialogues satisfactorily with other visions of reality, both ordinary and academic and related to the popular culture of recent decades and to millenarian traditions that subtly underlie everyday life. It also works to take a critical eye towards the future, towards the galactic worlds imagined by the great Frank Herbert. Scrutinizing the work of the North-american author through the calefatian lens lets us obtain singular and surprising readings that clarify the advanced degree of his intellectual proposal.
Secondary World Problems: Naming, Narrative and Worldbuilding in Speculative Fiction (University of Northumbria PGR Conference, 2014)
Jo Lindsay Walton
Anglica Wratislaviensia 61.1
Metaphorical Indicators of the Hyperthemes of Dune: Part One (2021): A Multimodal Cognitive-Linguistic Case Study
In Denis Villeneuve's Dune: Part One, the 2021 film adaptation of Frank Herbert's seminal science-fiction novel from 1965, the general themes, or "hyperthemes", of the filmic story are often represented metaphorically, by means of more or less transparent textual indicators. The present article explores the metaphorical indicators of three hyperthemes of Villeneuve's film--(1) "The power hierarchy Spacing Guild > Imperium > Great Houses > Fremen", (2) "The feuding Great Houses: House Atreides and House Harkonnen", and (3) "The colonization of Arrakis by the Imperium and Great Houses"--in an analytical framework combining the tenets and tools of multimodal analysis and cognitive linguistics. Specifically, the article explores (1) the relations between the non-metaphorical and metaphorical indicators of the hyperthemes of Dune: Part One, (2) the relations between different metaphorical indicators of the same hyperthemes of the film, (3) the relations between the verbal and non-verbal metaphorical indicators of the film's hyperthemes, and (4) the variation among the metaphors sanctioning the hyperthematic indicators with regard to their interpretability.
The Bene Gesserit in Frank Herbert's Dune. An Analysis
2011 •
Luis Fernando Madrigal Meza
History and Historical Effect in Frank Herbert's "Dune"
1992 •
Lorenzo DiTommaso
Influence of Nature in Dune Ecocritical
2021 •
enes kaan akbıyık
This thesis analyses Frank Herbert’s science fiction novel Dune. Frank Herbert’s entry to the Dune franchise was inspired by many philosophies and politics of its time and to this day Dune still stands as one of the greatest novels ever written. Dune experiences feudal systems in galactic scale, world build allows its universe to be filled with variety of different types of planets with each having unique conditions of climate, geography and weather conditions. Dune’s political world is heavily affected by climate and nature. This analysis focuses on impact of nature and how essential it is throughout the first book of the franchise Dune, however as some of the main events continue in sequels those books will be used as reference for some descriptions. While this science fiction novel is unique and innovative in many ways, it is possible to see author Frank Herbert took notes from political situations of his time and conflicts that were happening due to the natural resources. Dune has its own dedicated resources with unique usage, such as melange. This resource has an important role on starting many conflicts and creating the roots of events that are taking place in Dune and rest of the franchise afterwards. While there are many analyses on Dune, importance of nature in Dune and ecocriticism still appears untouched. Purpose of the thesis is to uncover how big of an influence settings, climate and nature has over the course of events. This thesis will mostly focus on desert planet Arrakis due to the purpose of the paper, however being a novel which is built around a galactic empire, some minor planets will also be mentioned in order to truly express the importance of ecology over the events of Dune.
Libro proporcionado por el equipo
Juliet Corona
"Now Harkonnen Shall Kill Harkonnen": Aeschylus, Dynastic Violence, and Twofold Tragedies in Frank Herbert's Dune
Brett M Rogers
